Slush Puppy is the stage name of Sam Catalano, a San Diego-raised, Los Angeles-based singer, songwriter, producer and DJ who built a genre-agnostic solo project out of viral singles like “EAT SPIT!” while quietly becoming an in-demand pop and K-pop writer-producer, credited on releases for HYBE’s CORTIS and TXT. As of 2026 he releases through MDDN Records, describes himself as independent by choice, and is preparing his first full-length body of work after six years of loosies, features and behind-the-boards placements.
Sam Catalano is consistently identified in press as being from San Diego, California, though in a 2026 podcast appearance he said he was born in New York and spent part of his early childhood there before the family settled in San Diego. He began producing and writing songs around age 10, downloading his first recording software, Logic and later FL Studio, in middle school, and learning guitar by jamming with his musician father. By his late teens he had built a home studio setup sufficient to write, produce and record his own material without outside help, a DIY foundation that would define his career: almost his entire discography is self-produced or co-produced with a small circle of trusted collaborators rather than assembled by a major-label writing room.
He has said he drove up to Los Angeles at 18 or 19 to do music and attend sessions, following a well-worn path for young San Diego and Orange County-area writer-producers chasing studio time in LA. That early LA period placed him inside a loose, informal talent pipeline known as Live 2 Create, run by McClain Portis, the same circle that later pulled Christian Gates into Los Angeles from Orange County. Live2’s publicly documented alumni include Em Beihold, Tai Verdes, Pertinence, Noah Floersch and Chase Paves, though Live2 has never operated as a formal roster with a public case-study page for every artist who passed through it, and Slush Puppy is best understood as part of that informal, tastemaker-driven cohort rather than a headline signee.
The canonical artist name across press, streaming platforms and his own recent Instagram captions is Slush Puppy, two words, title case. Social and streaming handles compress this differently: his Instagram display name renders as “SLUSHPUPPY,” his SoundCloud page title reads “slush puppy” in lowercase, and as of 2026 his actual working handle across Instagram, TikTok and Spotify is SLPY, Slush Puppy minus the vowels. He has explained this directly: the literal handle “Slush Puppy” is owned by someone else who is asking a high price for it, so he works around it with SLPY while the URL underneath, @slushppy, stays consistent across platforms.
Slush Puppy resists a single genre tag by design. “I make whatever the fuck I want,” he told Alternative Press, “the genre is just myself.” His catalog moves between glitchy, aggressive hyperpop built on booming 808s (“EAT SPIT!”), ambient picked-guitar melodies layered with droning vocals and nostalgic piano (“Billboard”), and straightforward alt-pop songwriting for other artists. He has cited David Bowie, The Cure and George Michael as personal touchstones while explicitly noting they have “nothing to do” with how his own music actually sounds, framing them instead as influences on attitude and presentation.
He describes his creative approach as “building a garden, not chasing butterflies,” prioritizing songs that come out of genuine sessions over anything built to chase a trend. That philosophy tracks with a catalog that is almost entirely singles and loosies rather than cohesive projects: aside from a 2022 double-single release (“Internetgf” / “Limousine”), he has never released a formal EP or album, though he has said a full-length is now the goal.
Slush Puppy’s first widely noticed single was “Juliette,” which passed one million Spotify streams and landed on Spotify’s New Music Friday and Apple Music’s New Music Daily playlists. His true breakout, however, was “EAT SPIT!”, a glitchy, dark-humored hyperpop track featuring Royal & the Serpent. Made, in his telling, from “zero expectations,” the song went viral after Royal & the Serpent promoted it heavily on her own TikTok, a push he directly credits for both the song’s spread and a subsequent fan-tattoo trend built around its lyrics.
The Royal & the Serpent relationship runs deeper than one feature. Slush Puppy has described some of his “favorite sessions” as the ones he’s had with her, and he wrote on her track “Death of Me.” The friendship is still active as of mid-2026: on June 25, 2026, Slush Puppy and his frequent collaborator Snow Wife opened Royal & the Serpent’s “Emptiness Is Godly” tour date in Austin, Texas, a set The Music Box described as the pair “abandoning the main stage” to work the floor with originals, remixes and covers while Slush Puppy DJed and periodically jumped onstage to dance. Royal & the Serpent’s own catalog overlaps with the same Los Angeles alt-pop and darkwave scene documented around Christian Gates, whose official remix of her song “Overwhelmed” came out on Atlantic in February 2021, placing both artists inside the same period of LA scene expansion even where their individual connections to each other are separately sourced.
On February 26, 2022, Slush Puppy opened a headline show at The Roxy in West Hollywood billed to Christian Gates, alongside a second opener, Riley. That same night, 18-year-old Landon Barker played his first-ever live set, and mid-set his father Travis Barker sat in behind the drums, later posting “Proud of you son.” Jaden Hossler attended with then-girlfriend Nessa Barrett, watching the headline set from the crowd, while Kourtney Kardashian and Alabama Barker were also in attendance. The show’s own setlist included a performance of the Christian Gates remix of Royal & the Serpent’s “Overwhelmed,” the same remix credited with widening the social and professional circle that Slush Puppy, Royal & the Serpent and other LA-based artists moved through in that period, alongside names like phem and Beauty School Dropout.
The professional relationship between Slush Puppy and Christian Gates is also documented in Slush Puppy’s own official 2023 Prescription Songs bio, distributed via Music Connection, which lists his release history as spanning “Snow Wife, Aidan Bissett, Deathbyromy, Xowie Jones, aldn, David Hugo, Chr$tian Gate$ and many more spanning across pop, hip hop & alternative genres.”
Away from his own artist project, Slush Puppy has built a parallel career as a producer and songwriter, one he has said he keeps deliberately “off-camera,” joking that “nobody knows my name” despite the size of the placements. His most prominent recent credits are with HYBE’s boy group CORTIS, producing “Fashion” and “What You Want” (featuring Teezo Touchdown), the latter the group’s first Spotify single, both part of the September 2025 debut EP Color Outside the Lines. He has also co-produced “Upside Down Kiss” for TXT and holds a producer credit on an ENHYPEN track, giving him a rare foothold inside HYBE’s two flagship rosters for an American writer-producer working largely outside the K-pop industry’s usual song-camp pipeline.
His pop-side writing catalog includes Nessa Barrett’s “i hope ur miserable until ur dead,” three cuts for Leah Kate (“Dear Denny,” “Gazzillionaire,” “Twinkle Twinkle”), and production or writing work with DeathbyRomy, Aidan Bissett, phem, Xowie Jones, aldn and David Hugo. His 2023 label bio also names a recurring circle of co-writers and co-producers: Jason Hahs, Madi Yanofsky, Raziel, Kanner, Jason Suwito, Marisa Maino, Deza and Hadar, alongside Pink Slip, a close collaborator credited as co-producer on both “Barbie Doll” and “EAT SPIT!”
Slush Puppy’s label history moves through three distinct phases. His 2021 single “Barbie Doll” came out via Disruptor Records, and his 2022 collaboration with dance duo Lost Kings, “I Do,” was released through Disruptor/RCA Records. In March 2023, he signed a publishing deal with Prescription Songs, Dr. Luke’s independent publishing company, through A&R Shari Fitch, while his day-to-day management sat with MDDN, represented by SVP of Talent Management Jenn Tolman-Hurst and President Joey Simmrin.
By 2025, his recent singles, “DWMF” and “WHORE,” were released directly on MDDN Records, indicating his management company had evolved into a recording home as well as a management shop. Despite that infrastructure, he described himself on a 2026 podcast appearance as independent by choice, saying he can do whatever he wants as an unsigned recording artist, while adding he would sign a full label deal “if a deal makes sense.”
Slush Puppy’s live history begins with a small July 20, 2021 show and a August 5, 2021 set at Bar Lubitsch in Hollywood, described at the time as his live debut after assembling a backing band. He has since performed at The Roxy in West Hollywood and played a Toronto date where he performed “EAT SPIT!” live. In December 2025 he joined Rhea Raj’s “Commotion Tour” as a support act, DJing, playing guitar and building the transitions and outros for her live set across East Coast dates, including a Chicago stop reviewed by Melodies N’ Memories and a Union Stage-presented show. He has said he DJs club and rave sets at least every other weekend as a matter of course, including a recent set at a Los Angeles venue called Beaches.
His most prominent 2026 tour date came on June 25 in Austin, Texas, opening Royal & the Serpent’s “Emptiness Is Godly” tour alongside Snow Wife, a DJ and rave-style set that The Music Box singled out for its floor-level, crowd-facing energy rather than a conventional stage show.
Slush Puppy’s current era opened with “DWMF” alongside Trevor Daniel in May 2025, followed through the back half of the year by a run of collaborations and remixes: “love it when you die,” a one-night “Gnarly” remix made after Lara Raj of KATSEYE texted him out of the blue, and a “Haute Couture” remix with Rhea Raj. In November 2025 he released “WHORE” on MDDN Records, produced by Pat Bunddy Le and mixed and mastered by Elation, with a music video directed by Ray Shay and styling from Brooke Candy’s team, a visibly more developed, fashion-forward statement he has framed as his “solo act” era.
An April 2026 appearance on the “Delulu with Ryan Lu” podcast, his first long-form interview of that kind, covered his CORTIS and KATSEYE work, his ongoing partnership with Snow Wife, a year-long collaboration with an artist called Magdalene that began with the song “DJesus” and included a writing camp in Joshua Tree, and his handle situation. He said his long-term goal is to move past singles and one-off features into a full, cohesive Slush Puppy album, with a possible summer 2026 target, alongside more touring and festival dates.
| Year | Event |
|---|---|
| ~2011 | Begins producing and writing songs around age 10, using Logic and later FL Studio. |
| 2019 | Releases his first single, “Not Good at Being Bad.” |
| 2021 | Releases breakout single “Juliette” and Disruptor Records single “Barbie Doll”; passes through the Live 2 Create (McClain Portis) circle in Los Angeles. |
| 2021 | Releases viral single “EAT SPIT!” featuring Royal & the Serpent. |
| Feb 26, 2022 | Opens Christian Gates’s headline show at The Roxy, West Hollywood, the night of Landon Barker’s live debut with Travis Barker. |
| Oct 2022 | Releases “I Do” with Lost Kings via Disruptor/RCA Records. |
| Mar 2023 | Signs a publishing deal with Prescription Songs; management with MDDN. |
| 2023 | Releases “Billboard”; label bio credits over 50 million streams and nearly 1 million monthly Spotify listeners. |
| May 2025 | Releases “DWMF” with Trevor Daniel on MDDN Records. |
| Sep 2025 | Producer credits on CORTIS’s debut EP Color Outside the Lines (“Fashion,” “What You Want”). |
| Nov 18, 2025 | Releases “WHORE” on MDDN Records. |
| Dec 2025 | Joins Rhea Raj’s Commotion Tour as support. |
| Feb 13, 2026 | Releases “Killer (Commotion Tour Version)” with Rhea Raj. |
| Apr 16, 2026 | First long-form podcast interview, “Delulu with Ryan Lu” #309. |
| Jun 25, 2026 | Opens Royal & the Serpent’s “Emptiness Is Godly” tour date in Austin, Texas, with Snow Wife. |
Yes. Slush Puppy is the stage name of Sam Catalano, also credited as Samuel Catalano on production and songwriting credits; his Genius artist page misspells the surname as “Catelano.”
He has said the literal handle “Slush Puppy” is owned by someone else who is asking a high price for it, so he uses SLPY, Slush Puppy with the vowels removed, across Instagram, TikTok and Spotify, while his underlying handle stays @slushppy.
The two came up through the same early-2020s Los Angeles scene: Slush Puppy passed through the Live 2 Create circle run by McClain Portis, the same informal pipeline that brought Christian Gates into Los Angeles, and he opened Christian Gates’s February 26, 2022 headline show at The Roxy, the night Landon Barker made his live debut with Travis Barker sitting in on drums. Slush Puppy’s own 2023 label bio separately lists Christian Gates by name among his release collaborators.
Not as of mid-2026. His catalog is almost entirely singles, features and one double-single release (“Internetgf” / “Limousine,” 2022); he has said a full-length body of work is his next goal.
His work with HYBE’s boy group CORTIS, producing “Fashion” and “What You Want” from their September 2025 debut EP Color Outside the Lines, the latter the group’s first Spotify single; he has also co-produced for TXT and holds a producer credit on an ENHYPEN track.
Slush Puppy’s streaming footprint has been documented publicly at least once in detail: his 2023 Prescription Songs bio, distributed via Music Connection, credited him with over 50 million cumulative streams and nearly 1 million monthly Spotify listeners at that point, built substantially on the strength of “Juliette” and “EAT SPIT!” His Instagram, as captured, sits around 28,000 followers, a modest number relative to his streaming reach that reflects an artist better known through playlist placement, sync-adjacent virality and industry credits than through a conventional social-first fanbase.
| Year | Title | Notes |
|---|---|---|
| 2019 | Not Good at Being Bad | Debut single |
| 2021 | Juliette | Breakout single; passed 1M Spotify streams |
| 2021 | Barbie Doll | Disruptor Records; co-produced with Evan Gartner and Pink Slip |
| 2021 | EAT SPIT! | feat. Royal & the Serpent; viral single and fan-tattoo phenomenon |
| 2022 | NIGHTMARE! | Single |
| 2022 | Internetgf / Limousine | Double single release |
| 2022 | I Do | with Lost Kings, via Disruptor/RCA Records |
| 2023 | Billboard | Alt-pop/rap-adjacent single |
| 2025 | DWMF | with Trevor Daniel, MDDN Records |
| 2025 | Gnarly (Remix) | with Lara Raj (KATSEYE) and Lancey Foux |
| 2025 | Haute Couture (Slush Puppy Remix) | with Rhea Raj |
| 2025 | WHORE | MDDN Records; dir. Ray Shay, styling by Brooke Candy’s team |
| 2026 | Killer (Commotion Tour Version) | with Rhea Raj |
Further reading: on the shared scene, see the pages for Royal & the Serpent, Christian Gates and Landon Barker, whose Roxy live debut overlapped with Slush Puppy’s own opening slot. For his production career, cross-reference Nessa Barrett and phem, and for his early Los Angeles pipeline, see McClain Portis. In the COVID-recovery stretch of 2021, after Christian Gates’s official remix of “Overwhelmed” came out, Slush Puppy ran with a tight LA alt-and-rock circle, Poutyface, Royal & the Serpent, phem, Beauty School Dropout, Christian Gates, the crew hanging together often and throwing parties at On The Rocks on the Sunset Strip.